Tuesday, 19 November 2013

Final Casting

After a long journey, we settles on our four cast members who will feature in our print work and music video!
They are:
- Gemma Gormley
- Katie McGorman
- Elisha White
- Tash Sampson

These four are all excited for the video and have already delivered a promising photoshoot as seen in previously posted pictures!

Target Audience Feedback

Before creating my music video, I wanted to see what our target audience (14-19 year olds) would think of our ideas so far and what they'd expect from the genre of K-Pop.

Hayley: "It's really different and unique. It's not your usual or everyday music, it's something quite new."

Charlotte: "I reckon it'd be usually for people younger than me, so like early teens. I've listened to some and it's not my style, but I can appreciate the fun side of it."

Mark: "The music comes across as though it's meant to be not too serious and just for a good time, which I guess is what pop music represents, really. I think it appeals more to girls than boys, but it's just meant for a good time."

Becky: "I love a bit of K-Pop! It's just so fun and entertaining. We don't know the words off hand, but that kind of adds to the effect. You don't have to think about anything when listening to it, you just enjoy it generally.

To conclude, we can clearly see that K-Pop is thought to be a fun, visually entertaining genre that's not supposed to be taken too seriously. This is exactly what I hope to achieve in my music video as I believe that it is a brilliant example of the genre and a quirky and lively video would represent it well.

Music Video Analysis


Analysis 1: f(x) – Electric Shock
The music video is heavily reliant on the stereotypical genre characteristics of a girl band, particularly one in the sub-genre of K-Pop. This sub-genre usually consists primarily, if not entirely, of young women dressed in fairly generic outfits but usually with a western element, for example, one of the women in this video wears an ACDC band shirt. 


The video also consists mainly of up-close shots or shots of all the girls as a whole at the same time as them dancing, singing or perhaps both. The shots in this video are positioned ever so slightly below eye level or sometimes quite far below it in order to convey the band’s importance and make sure that the audience knows that the band are the main subject. The band also manages to wear clothing that allows the audience to get a full view of their physique without the group’s clothes being considered slightly scandalous. This is a typical formula for the genre of Pop and K-Pop and therefore supports Michael Shore’s theory that music videos are recycled styles that contain the views of adolescent males, particularly with the use of power, girls and wealth. He then believes that this all conveys into clichéd imagery and “soft-core pornography”.


Throughout most of the video, there is a disjunctive link between the lyrics and the visuals as most of the lyrics are to do with electricity and the visuals consist of the members of f(x) dancing and miming. However, there is occasionally an illustrative link between the lyrics and visuals, usually leading up to the chorus. This link is usually that the girls in the video will literally be holding something that submits an electric shock, such as a taser or stun gun. This idea of three different types of links between the two variables was theorised by Andrew Goodwin. He stated that there would always either be a disjunctive, illustrative or amplifying link between the lyrics and visuals, regardless of song and genre.




The video also gives a sense of synaesthesia throughout, too, with the use of a fun and catchy beat being mimicked by the band also dancing around and having fun, too. They also do things in time with the music, helping to add to the element of synaesthesia. The music video also expresses the typical ideologies of the target audience through the band members, for example, having perfect skin, looking young and being thin and healthy. This is a fairly usual ideology as the target audience of this genre are females between the ages of 16-23 and they supposedly have aspirations primarily based on looks and looking attractive, just as the band members represent. Ultimately, the stars in the video are commodities that the record companies use in order to sell the brand that is their image and the values of which they represent. This is often done by trying to make them look more relatable, too, by using lots of close-up shots and lots of action matches.



Analysis 2: Big Bang – Fantastic Baby
This video is also relatively reliant on some of the generic elements of a usual Pop/K-Pop boy band, however, it does introduce some other interesting elements that are seen less so in the said genres. For example, on more than one occasion, the males objectify themselves and are represented as sexual objects. This is done to a point where even the camera is used to split up the male’s body parts as it normally would a female in music videos, as shown below. This, therefore, challenges current imagery and conventions and this is thought to be due to the rise in sexualisation in the media industry as stated by Reichert and Carpenter in 2004.  


The clothing normally worn is also a relatively new element to Pop/K-Pop boy bands as, in this video, the males wear quite unconventional clothing and they all look remarkably different from one another. This contrasts older conventions as it was thought that males would usually wear similar, if not the same, outfits.



 Similarly to the music video for Electric Shock, this video uses frequent up-close shots of the males in order to help the audience to establish with the group. However, contrasting with the other video, it has an ever-so –slight narrative involving a corporation who are opposed to music and the band fighting against it. This is often seen as being quite unusual for a typical pop video and is not usually seen with a boy band, either. The majority of the shots are also on eye-level with the main males, too, as it makes the band seem far more relatable to the audience than if the camera was above or below eye-level.
Michael Shore’s theory is also supported by this music video as the video itself contains many elements of power, girls and wealth, once again. He describes music videos as a recycled style that contains information overload and is fantasised by adolescent boys. Stereotypically, this would be heavily supported by the video as it addresses all 3 of the previously stated elements.

The video and lyrics also have a primarily disjunctive link as most of the lyrics have no possible link to what’s going on in the video. There is, however, a rare, occasional moment in which the lyrics will use the word “clap” and the band in the video will clap accordingly, giving a slight illustrative link between the two elements of the song.

 However, bar that, they have a primarily disjunctive link. This is all in accordance with Andrew Goodwin who theorised the three ideas about the links between the lyrics and visuals, the three of them being illustrative, disjunctive and amplifying.
The video also has a slight element of synaesthesia at certain points, too. For example, during a scene when one of the band members is dressed relatively tribally, the music involves more drums and has a more tribal undertone, as shown below.

The video often also expresses values held by their target audience, presumably being males and females in the age range of 16-23 once again. For the males, they represent the ideas of being attractive, being in good shape, attracting women and having power and money, which is all thought to be the ideal “dream” for men of these ages. This also supports Michael Shore’s theories. For the females, they are represented as being good-looking, but not being arrogant about it, as well as being in relatively good shape and having money and power. All of these are relatively similar to that of what they represent to the males, just slightly different to who they are of. In short, they represent themselves as having males who want to be them and females who want to be with them.

Sources List:

Storyboard

Here is our animated storyboard. This has xhelped us to really get our ideas in order about how we want our music video to be set.

Thursday, 14 November 2013

Monday, 11 November 2013

Final Sheet Change

So, we've finally decided against those sheets because they were filthy and practically grey and found some that already happened to be in my house! You'd think I would've looked at them before hand and realised we had the perfect sheets at home.
The photoshoot is all prepared ready for Wednesday, so pictures Thursday at the latest.
Things are moving forwards! :D

Friday, 8 November 2013

Final Sheets Update

We have actually now found sheets that we are going to be using as a backdrop in our music video! 
http://www.tesco.com/direct/tesco-flat-sheet/465-6555.prd?pageLevel=&skuId=609-2260

Risk Assessment of Filming Area

What the risk is
Potential outcomes
How to avoid it
Who’s in charge
Loose wires
Fall, trip and/or possible death
Tape wires to the floor and make them as visible to the cast as possible
Jake
Falling off stage
Hurt, broken limbs and/or possible death
Make it clearly visible where the stage ends
Jake
Bright lights
Damaged or challenged eye site.
Not let the cast look directly at lights for an extended period of time
The cast
Falling over white sheets
Hurt/injury
Tape or staple the sheets to their attached surface eg Floor or wall
Nick and I

Monday, 4 November 2013

Location + Set Update

We've decided that our primary background is just going to consist of a white sheet with perhaps some other coloured sheets that we use interchangeably. However, finding a simple white backdrop has proven a troublesome task due to them being few and far between. We have managed to track some down, but they are often at prices that are quite simply out of our range.
The style of sheet we are looking for is this or similar to it.